I'm Bored
hyperallergic:

Don’t You Understand, I’m an Artist!
Working alone in a studio can do things to your head.
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hyperallergic:

Don’t You Understand, I’m an Artist!

Working alone in a studio can do things to your head.

View Post

visitheworld:

The idyllic village of Mürren above Lauterbrunnen valley, Switzerland (by ls7902).

visitheworld:

The idyllic village of Mürren above Lauterbrunnen valley, Switzerland (by ls7902).

giuseppesalernocalligraphy:

Spring X #calligraphy #lettering www.letteringvscalligraphy.com
dustjacketattic:

j.k place | capri | photo patrick cline | lonny

dustjacketattic:

j.k place | capri | photo patrick cline | lonny

daintyyetdangerous:

nicole franzen

could be a cool still life

daintyyetdangerous:

nicole franzen

could be a cool still life

straight on views do something for me

straight on views do something for me

atavus:

Matthieu Laurette - Opportunities Let’s Make Lots of Money, 2005
Photo by [Robert Pettena]

installation art oo yezah

atavus:

Matthieu Laurette - Opportunities Let’s Make Lots of Money, 2005

Photo by [Robert Pettena]

installation art oo yezah

spatula:

Fabienne Verdier (via Plus-size Painting: Abstractions Created With Massive Unconventional Paint Brushes | Beautiful/Decay Artist & Design)

i need a bigger brush

ryandonato:

Artists in Their Studios

  1. Jackson Pollock studio, ca. 1950, Springs, Long Island, New York
  2. Claude Monet ca. 1924 in his third studio, Giverny
  3. Roy Lichtenstein, studio, Southampton, New York
  4. Pablo Picasso, not listed.

artists in the studio

razorshapes:

Ushio Shinohara - Box Paintings (2008)

fight the canvas

Fabienne Verdier: Flux

brushmark motif incoming

likeafieldmouse:

Gerry Judah - Paintings (2005-12)

“Judah’s paintings are a direct response to conflict across the globe, and the impact of that violence, whether it is the consequence of war or natural disaster. At the same time, he is fascinated by changing urban landscape, and his paintings explore the dynamic of construction and destruction. 

His apocalyptic settlements constructed from scores of buildings, complete with internal structures, communications and water towers are fixed onto canvas, and then systematically destroyed. The ensuing rubble and detritus are scattered and fused onto a background of empty white canvas with layers of acrylic gesso to create silent ‘white on white’ abstract paintings.”

build forts

anitaleocadia:

Joseph Zbukvic

Here and here.

painted streetscapes, I be interested in